Posted on: June 5th, 2018 7:57 am
They’ve transcended their vigilant hip-hop roots and have become a global phenomenon, the likes of which the music world has rarely seen. Ever-curious and ever-confident, that group is The Black Eyed Peas, and after energizing crowds ’round the globe with the monster-stomp of Elephunk, it’s time for the quartet – William, Fergie, apl.de.ap and Taboo to get down to business – Monkey Business, that is.
2003’s Elephunk was a breakthrough album for The Black Eyed Peas, vaulting them to a level of success unparalleled by any other hip-hop group. The accolades are quick to recite: 7.5 million albums sold worldwide, 4 Grammy nominations, 1 Grammy award, and an unforgettable performance on the 2005 broadcast. But fitted with loose rhymes, buoyant anthemic funk and an ebullient live spirit, the album also heralded a new sound for the modern age – one that is inspired by hip-hop, eschews boundaries and inhibitions, and cuts across ages, races and backgrounds. It is a sound that can be described only as One Nation Under A Black Eyed Peas Groove.
Monkey Business was literally produced and recorded during The Black Eyed Peas everlasting road trip. “I was in Brazil doing some CD shopping,” will.i.am recalls. “I came across this compilation and I thought it was one thing but it turned out to be something else. The Dick Dale song ‘Miserlou,’ was on it. At first I was angry – this isn’t what I wanted to buy,” he laughs. “But then, really, that song is hot. I said, ‘we should do a song like this.’
I jump-started the computer and made some beats on the train. Then we had to fly to Tokyo and I tightened up the beat on the plane. Then I recorded vocals in this park in Tokyo. And that’s how we recorded the song, ‘Pump It.’
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